Nacı Kalmukoğlu Sociopsychological Structure in Roman Female Portraits
NACİ KALMUKOĞLU ROMAN KADIN PORTRELERİNDE SOSYOPSİKOLOJİK YAPI

Author : Serdal YERLİ
Number of pages : 1262-1274

Summary

Avni Arbaş of Naci kalmukoglutransmittedby "portrayingsomething of yourself in everypicturethepainter" on themeaning of thequote (Kültür-sanat.1983) Art in theproduction of thesocio-psychologicalimpactbyconsideringtheartist's "gypsywoman" withhimself in theportrait he foundedduyumsalligidentificationandwill be discussed. Naci Kalmukoğlu is an artist who has an importantplace in Turkish reminde, but has not beengiventheattention he deserves. His wealthyandwell-establishedfamilyensuredthatthe artist had an outlook on life and a personality. However, as sourcespointout, theartist's life is coveredby a widepattern of obscurity. (Eroğlu Ö.,s 79). of research in this sense,. It is thoughtthattheartist'semphasis on portraitpainting, which is one of thedistinctive art aspects, will be important in terms of understandingandexemplifyingthemeaninglayer in theportraitandthesubjectsthatthe artist oftenaddsto his work. Inthestudy, literaturewill be searchedfirst, informationaboutthenewspaper, magazine books, memoirs, interviewswiththeartist'sunderstanding of art andsocio-culturalstructurewill be triedto be revealed. Theartist'spainting" GypsyWoman " will be analyzed. Inordertoachieve a healthierresultbymakingcomparisons, thepaintings of otherTurkishartistsworking on Gypsyfemaleportraitswill be examined. As a result, sociopsychologicaleffects of theartist'spainting of gypsywomenwill be triedto be revealed.

Keywords

Naci Kalmukoglu. Portrait. FigurativePainting. Art.

Read:205

Download: 70